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Guerrilla art is a street art movement that first emerged in the UK, but has since spread across the world and is now established in most countries that already had developed graffiti scenes. It owes much to the early graffiti movement so much that in the United States guerrilla art is still commonly referred to as ‘post-graffiti art’. Guerrilla art differs from other art forms in the fact that it has no external boundary between the image and the environment. While a traditional painting can be moved from one gallery to another without the meaning or the artistic credibility of the piece being affected, street art is environmental, the surface to which it is applied to being as fundamental to the piece's meaning as that which is applied. Without the dynamics of modern life, guerrilla art is reduced to ‘art for arts sake’ and would accordingly be defined by ''what it is'' as opposed to ''what it does''. The production of guerrilla art is focused on cause and effect, not the material piece itself. It aims to produce an effect within the minds of those people that live within the environment being altered. It does not necessarily aim to produce art that is meaningful in itself. == Guerrilla artists == Guerrilla artists increasingly seem to be moving towards a philosophy of painting a continuous work of art, adding to it over time as less developed elements of the piece are erased by graffiti cleaning efforts or in the battle for space. Art on canvas is not guerrilla art. Although many guerrilla artists regularly produce ‘trapped art’, they do not generally consider it to be the same thing. This has manifested itself in a wave of new canvas styles that have a guerrilla art style, but are more comprehensive and finished. Few traditional artists would create artwork intentionally meaning for it to be mass produced with little fidelity and put up with wheat paste. Many guerrilla artists hijack major branding for their own publicity and identity, often at odds with the brand itself. This can be seen with D *Face's hijacking of the Walt Disney signature. It’s not a movement that attempts to support or to oppose brand conditioning. It is the general public’s artistic response to it. Artist Amir Baradaran is a pioneer of digital guerrilla art with the hijacking of the Mona Lisa in Paris’ Louvre Museum. Upon France’s banning of the use of ''hijabs'' in public, Baradaran used augmented reality to superimpose movements onto the Mona Lisa through a mobile phone application. The application used the live feed from the phones camera to show the mysterious lady loosen her hair and wrap a French flag around her in the form of an Islamic ''hijab''''.'' Baradaran called attention to a number of paradoxes- Mona Lisa also wears a veil, but one that is socially approved; and, as an undocumented Italian mode, she is an “illegal immigrant,” yet allowed into the museum. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Guerrilla art」の詳細全文を読む スポンサード リンク
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